{"id":7506,"date":"2021-11-08T03:15:46","date_gmt":"2021-11-08T03:15:46","guid":{"rendered":"http:\/\/amerecords.com\/?p=7506"},"modified":"2022-05-13T18:13:32","modified_gmt":"2022-05-14T01:13:32","slug":"how-to-deliver-dolby-atmos-mix-in-pro-tools","status":"publish","type":"post","link":"https:\/\/amerecords.com\/?p=7506","title":{"rendered":"How To Deliver Dolby Atmos Mix In Pro Tools"},"content":{"rendered":"\t\t
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How To Deliver Dolby Atmos Mix In Pro Tools<\/span><\/font><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Once your mix is ready now we’re going to deliver the mix so how we’re <\/span>going to bounce the file <\/span>and I’m going to show you two major ways <\/span>to do this.<\/span><\/p><\/div><\/div>

So the first thing is very simple. Just like how we bounce any other <\/span>wave file in pro tools, we just go ahead and <\/span>go to the bounce menu. A<\/span>nd underneath you can see now we have the <\/span>Dolby Atmos ADM file. So the ADM <\/span>file is actually what we wanted <\/span>for delivering the Atmos mix. G<\/span>o ahead we will go to that <\/span>selection and now you can see it shows <\/span>you <\/span>how many beds and objects you’ve used in <\/span>this session and I can add an FFOA to it, <\/span>which means where the session starts <\/span>based on the time code. So I can tell the <\/span>time code where my session starts. Now <\/span>everything is synced up no matter where <\/span>you play <\/span>and the standard starts at 1:00:00:00. B<\/span>efore I do that, I have to actually put <\/span>my session at the right time code <\/span>position so I’m gonna get out of this, <\/span>and then what I can do is to go to the setup <\/span>session menu <\/span>and then I wanted to change this session <\/span>start <\/span>at 1:00:00:00. S<\/span>o I hit enter <\/span>and okay I’ll change that and now I can <\/span>see the top of my session the top of my <\/span>stems is at 1:00:00:00, <\/span>but I really wanted to give it a little <\/span>pre-roll for <\/span>the time code to catch up so I wanted to <\/span>give a little two seconds per roll <\/span>before the start of the song. So what I’m <\/span>gonna do is I’m gonna change it again. <\/span>I’m gonna change this to <\/span>00, <\/span>hit right arrow key, 59, <\/span>58, <\/span>so at 59 minutes and 58 seconds before <\/span>1:00:00:00, <\/span>hit okay again. I want to maintain time<\/span>code. S<\/span>o now the start of the session is at 00:59:58:00 <\/span>while the start of <\/span>my song is at 1:00:00:00. T<\/span>hat’s perfect so now I wanted to go <\/span>ahead and bounce this and change this to 1:00:00:00.<\/span> That’s perfect so I’m going to <\/span>bounce it.<\/span><\/div><\/div><\/div>
The good thing about ADM is that ADM is actually a really powerful file format where <\/span>you can just re-import this file into a <\/span>brand new pro tool session,\u00a0 and then <\/span>everything including the pan <\/span>message where you assign your objects or <\/span>beds they are all there, including <\/span>your audio. The only thing that’s missing<\/span><\/div><\/div><\/div>
is the naming of the track but it’s very easy <\/span>to figure out what track is it.<\/span><\/div>
\u00a0<\/div><\/div><\/div>
So what we’re going to do with the bounce file? When we play it,<\/span>opps, there’s nothing there. I<\/span>t’s because <\/span>it can only be played <\/span>by the renderer so I’m going to go ahead <\/span>and go back to the renderer. <\/span>Then I want to open it from the <\/span>renderer so I’m going to open <\/span>it. The renderer sees it as a master file so I’m going to <\/span>actually, open it from here. <\/span>Once I get out of sync mode, I can play it. <\/span>I’ll play from 1:00:00:00. I<\/span>t’s playing the right thing <\/span>and the level is good. S<\/span>o what I’m gonna do next is export a mp4 file <\/span>for my clients to hear it. B<\/span>ecause they’re not going to go in and <\/span>download the renderer so what I can do<\/span><\/div><\/div><\/div>
is actually go in the menu here, under “file” – “Export Audio” – “Export it as an <\/span>mp4″ for my client to listen to on any <\/span>kind of device. <\/span>I’m gonna go ahead <\/span>and then I can just bounce it back in <\/span>there. W<\/span>e’ll use “music” option here <\/span>and then for the entire master which is <\/span>you can see the time code for the in and<\/span><\/div><\/div><\/div>
out point, which is perfect. Because mp4 is a video format essentially and if you <\/span>don’t have any video content to it, <\/span>a music video orany sort of <\/span>funny video that you want to add on to it. Y<\/span>ou <\/span>can just put black video or no video. J<\/span>ust go ahead explore and now your client can hear it on any devices.<\/span><\/div>
\u00a0<\/div><\/div><\/div>
Okay, there’s also the second way of boucing the mix. G<\/span>iven that we have already done the <\/span>time code settings for pro tools which <\/span>is what we have right now and if you <\/span>didn’t follow along from the first part <\/span>of the video, <\/span>you can go back to <\/span>where I set up the time code for the <\/span>session. Once you have this set up we’ll <\/span>go back to <\/span>renderer <\/span>and we want to create a new session <\/span>or a new master file for the renderer. So <\/span>I’m gonna go ahead and go to the “File” <\/span>menu and then create a new master file <\/span>so I’m gonna call this “Dolby <\/span>Atmos M<\/span>ix”.\u00a0 I do want it to start at <\/span>1:00:00:00. <\/span>so now I can create. <\/span>we can see everything is ready and I <\/span>just have to hit the “Link” button <\/span>where I sync up my pro tools session <\/span>with the renderer <\/span>and then I’m gonna hit record enable. And <\/span>if I play <\/span>you can see it starts recording at 1:00:00:00 time mark. O<\/span>nce you’re done recording you have <\/span>the whole song recorded in this renderer <\/span>and embed it in the master file. W<\/span>e’re going to go ahead and look at what <\/span>the master file has. S<\/span>o you’ll actually get a whole folder <\/span>with three files: <\/span>session file for the renderer; the audio <\/span>content; and then the metadata. As long as <\/span>you have this master file you can always <\/span>open it back up <\/span>in the renderer. <\/span>Something you have to keep in mind <\/span>is that you have to look at the playback mode is on the source or on the <\/span>master. When it’s on master it means <\/span>that it plays back whatever <\/span>the recording you had open.<\/span><\/div><\/div><\/div>
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Once you finish rendering a track, playing all the way through, it will <\/span>automatically switch to master so now <\/span>what you hear <\/span>is actually what it’s being recorded on <\/span>tape. A<\/span>nd if you wanted to switch it back to <\/span>whatever pro tools was playing you have to <\/span>put it in “Inputs” mode. W<\/span>hen it comes to delivering your master <\/span>to a streaming service, like apple music, <\/span>all you have to do is to submit the ADM <\/span>file. And you have to keep in mind that <\/span>the standard for integrated loudness for it is <\/span>-18lufs. S<\/span>o <\/span>be mindful of that, when you mix in <\/span>Dolby Atmos.<\/span><\/div>
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\u00a0<\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

How To Deliver Dolby Atmos Mix In Pro Tools Once your mix is ready now we’re going to deliver the mix so how we’re going to bounce the file and … Continue ReadingHow To Deliver Dolby Atmos Mix In Pro Tools<\/span><\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7506","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nHOW TO DELIVER DOLBY ATMOS MIX IN PRO TOOLS | AME Records<\/title>\n<meta name=\"description\" content=\"In this tutorial, we'll deliver Dolby Atmos Mix in Pro Tools. There are two simple ways to do this. One is to bounce ADM file like you would bounce a wav file in Pro Tools; The other way is to print your mix into Dolby Renderer and save it as a master file. For me, I usually proceed both ways so that I can have a redundancy for every Dolby Atmos Mix I do. AME Records\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/amerecords.com\/?p=7506\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HOW TO DELIVER DOLBY ATMOS MIX IN PRO TOOLS | AME Records\" \/>\n<meta property=\"og:description\" content=\"In this tutorial, we'll deliver Dolby Atmos Mix in Pro Tools. There are two simple ways to do this. One is to bounce ADM file like you would bounce a wav file in Pro Tools; The other way is to print your mix into Dolby Renderer and save it as a master file. For me, I usually proceed both ways so that I can have a redundancy for every Dolby Atmos Mix I do. 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